Wu Kong Hai Anh is known for Street Fighter: Assassin's Fist (2014).
Wu Ma was born on August 18, 1942 in Tianjin, China. He was an actor and director, known for Sien lui yau wan (1987), Zhi fa xian feng (1986) and Ren xia ren (1982). He was married to Ma Yan. He died on February 4, 2014 in China.
Wu Wen is an actor, known for Tea Robber (2017).
Wu Xuanxuan is an actor, known for A Mysterious Date (2018) and The Bad Ex-girlfriends (2018).
Wu Yang is known for Deep Sea Mutant Snake (2022).
Wu-Hsiung Tsai is an actor, known for Na xie nian, wo men yi qi zhui de nu hai (2011), Mu ji zhe (2017) and Chai po A Jiao (1998).
Wu-Ren Chang is an actor, known for Qian ying (1973), Duo ming quan wang (1972) and Shao rou zong (1969).
Wu-cheol Shin is an actor, known for Bioman (1989), Hyeolu cheonha (1982) and Kim Du-han hyeong shirasoni hyeong (1981).
Wuershan was born on June 10, 1972 in Hohhot, Inner Mongolia, China. He is an ethnic Mongolian. He currently lives and works in Beijing, China. At 16 years old, Wuershan enrolled into the High School affiliated to China Central Academy of Fine Arts. Then he was admitted into the Oil Painting Department of China Central Academy of Fine Arts in 1992, but he dropped out in the next year. In 1994, Wuershan studied Directing at Beijing Film Academy. After he graduated from Beijing Film Academy in 1998, Wuershan started his career as an advertising director. He then became one of top commercial directors in China. In the meantime, he also made video arts, installations and performing art as an avant-garde artist. In 2004, Wuershan directed, wrote and produced Soap Opera (2004), which won the FIPRESCI Award of Busan International Film Festival. The FIPRESCI Award was given by the International Federation of Film Critics from the entries in the New Currents section of the film festival. In 2011, Wuershan directed and wrote the avantgarde martial arts comedy The Butcher, the Chef and the Swordsman (2011). He won the Best New Director of the 48th Golden Horse Film Festival and Awards, and the film was also nominated for Best Adapted Screenplay of the film festival. In 2012, Wuershan directed the Chinese fantasy romantic film Painted Skin: The Resurrection (2012). It renewed 12 records in Chinese film history with total box office gross of CNY 726 million in Mainland China. Painted Skin: The Resurrection received the nomination for Best Visual Effects of the 49th Golden Horse Film Festival and Awards, as well as the nomination for Best Film From Mainland and Taiwan of the 32nd Hong Kong Film Awards. In 2015, Wuershan directed the fantasy adventure blockbuster Mojin: The Lost Legend (previously titled The Ghouls). It has grossed CNY $1.6 billion in mainland China till January 7, 2015, which broke various significant records and became the second highest-grossing film in Chinese history.
Born in Dublin, Ireland to an Irish schoolteacher mother and Nigerian father, at six weeks of age she returned with her family to Nigeria and spent her first three years there, regularly shuttling between Nigeria, Dublin, and London. Her father was the Minister for Education in Nigeria under the administration of Aper Aku, resigning shortly before a military coup. Due to political unrest Ms. Houston-Jibo, her mother and siblings left Nigeria for London in the 1980's. Ms. Houston-Jibo grew up in London, and attended a convent school. An avid reader, she excelled at English and drama and was a natural storyteller. However formal education proved to constraining and she left school at sixteen. She spent five years working as a Croupier in Mayfair Casinos and DJing in London Hip-Hop clubs, amongst the likes of Doc Brown and Professor Green, after which she returned to formal education attending the London College of Fashion on a course that encompassed make-up design/cultural studies/fine art and photography. After a number of years working in production, thanks to her unique experience as a croupier, Ms. Houston-Jibo was offered a part on the UK game show Casino Casino directed by the renowned Paul Kirrage. This reignited her long slumbering ambition to act, and thus she immersed herself in studying Sanford Meisner technique at The Actor's Temple, London. She has also studied with Martin Barter of the Meisner Centre, Los Angeles and undertook a year of classical theatre training at Identity Drama School.