Laurence Fuller
Best known for his lead roles in feature films "Road To The Well", "Apostle Peter & The Last Supper" and "Paint It Red", Laurence Fuller actually got his start in British theatre, training at Bristol Old Vic Theatre School and taking the lead role in the West End theatre production of "Madness In Valencia" at Trafalgar Studios directed by Simon Evans. On screen Fuller has worked opposite Robert Loggia, Sally Kirkland, Max Cullen, Asher Keddie, Jack McGee, Lucy Davis and Barry Primus. His work as an actor has been acknowledged by critics and film festivals and was recently tapped as a finalist in the Heath Ledger Scholarship. Lead roles in further notable festival shorts include; "Mother & Brother", "Nocturnal Silence", "Five Families" and "Echoes Of You".
As a writer/producer his first film Possession(s) was produced by ABC Australia. His most recent spec screenplay is about his late father the art critic Peter Fuller, "Modern Art" has won awards and placed as a Finalist in 15 of the screenwriting competitions so far in 2020.
"Laurence Fuller (of Road To The Well, Paint It Red) stars in Echoes of You as a classical pianist struggling to make his mark who finds his greatest fulfillment in an unlikely place. This is a very lovely short film that builds to an emotional ending that will hit you hard." - Alex Billington, First Showing ***** review for "Echoes Of You"
"Frank was played brilliantly by Laurence Fuller... Beneath his docile exterior, there is a smoldering anger and ruthlessness that only surfaces after a series of calamitous events... This film was good, I'm talking about Alfred Hitchcock and Coen Brothers good." - Ruthless Reviews ***** review for "Road To The Well"
"Laurence Fuller is a faultless Pisano" - Time Out **** review for "Madness In Valencia"
"The script's subject matter is incredibly fascinating from a character perspective. Peter Fuller is an extremely thought- provoking and passionate person and truly does deserve his own film. He is such a colorful and unique individual (and so beautifully captured) that the characterization carries the script in and of itself. " - Blacklist coverage for "Modern Art"