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Barbara Bourbon is an actress, known for Jungfrau am Abgrund (1990).
Barbara Bova is known for Good Timing with Jo Firestone (2021).
Barbara Boyce is an actress, known for A World Away (2019).
Barbara Boyle is a producer, known for Phenomenon (1996), Instinct (1999) and Bottle Rocket (1996).
Barbara Brand is known for Brand: A Second Coming (2015).
Barbara Brennan is known for A Date for Mad Mary (2016), Theatre 625 (1964) and Veronica Guerin (2003).
Radiant to a tee, well-coiffed and well-dressed Barbara Britton looked like she stepped out of a magazine when she entered into our homes daily as the 'Revlon Girl' on 50s and 60s TV. She sparkled with the best of them and managed to capture that "perfect wife/perfect mother" image with, well, perfect poise and perfect grace. Co-starring opposite some of Hollywood's most durable leading men, including Randolph Scott (multiple times), Joel McCrea, Gene Autry, Jeff Chandler and John Hodiak, it's rather a shame Barbara was rather obtusely used in Hollywood films, but thankfully her beauty and glamour, if not her obvious talent, would save the day and put the finishing touches on a well-rounded career. It all began for sunny, hazel-eyed blonde Barbara Maureen Brantingham in equally sunny Long Beach, California on September 26, 1920 (1919 is incorrect, according to her son and several other sources). Attending Polytechnic High School, Barbara eventually taught Sunday school and majored in speech at Long Beach City College with designs of becoming a speech and drama teacher. Her interest in acting, however, quickly took hold and she decided, against the wishes of her ultra-conservative parents, to pursue the local stage. Barbara's own personal 'Hollywood' story unfolded when, as a Pasadena Tournament of Roses parade representative of Long Beach, she was seen on the front pages of the newspaper, scouted out and signed by Paramount movie agents. The surname Britton was a cherished family name and Barbara picked it as her stage moniker when Paramount complained that Brantingham was "too long to fit on a marquee." She made her film debut with Secret of the Wastelands (1941), a Hopalong Cassidy western, and continued in bit parts for a time before finding modest but showier roles in such fare as Louisiana Purchase (1941), So Proudly We Hail! (1943) and Till We Meet Again (1944). She eventually earned higher visibility as a lead and second femme lead but was underserved for most of her film career, confined as a pretty, altruistic, genteel young thing in such durable but male-oriented films as The Great John L. (1945), The Virginian (1946), The Return of Monte Cristo (1946), Albuquerque (1948), and Champagne for Caesar (1950). Barbara wisely turned to the stage and TV in the 1950s, making her TV debut on an episode of "Robert Montgomery Presents" in 1950 and her Broadway debut co-starring in the short-lived Peggy Wood comedy "Getting Married" the following year. After co-starring a couple of seasons with Richard Denning on the TV program Mr. & Mrs. North (1952), Barbara earned major attention as Revlon's lovely pitchwoman and remained on view in that capacity for 12 years. She appeared in Revlon commercials live for a number of programs, including "The $64,000 Question," "The $64,000 Challenge," "Revlon's Big Party" and "The Ed Sullivan Show." In between Barbara graced several of the top dramatic shows of the day, and co-starred intermittently in such "B" films as Bandit Queen (1950), The Raiders (1952), Bwana Devil (1952), Dragonfly Squadron (1954) and Night Freight (1955) before ending her movie run with The Spoilers (1955) opposite Jeff Chandler and Rory Calhoun. Various Broadway shows included "Wake Up, Darling (1956), "How to Make a Man" (1961), and "Me and Thee" (1965). Other stage credits on the dinner theatre and summer stock circuits include "Last of the Red Hot Lovers", "Mary, Mary," "Barefoot in the Park" and "No, No, Nanette." As time passed, more and more would be devoted to raising her family. Only occasionally seen in the 1970, Barbara sometimes appeared with her two children in such regional shows as "Best of Friends," "Forty Carats" and "A Roomful of Roses". Married in 1945 to Eugene Czukor, a naturopathic physician at the time, he later became a psychiatrist when the family moved to New York City (Manhattan) in 1957. The couple raised two children -- son Theodore (Ted or Theo) who appeared on the Canadian Shakespearean stage and later became a yoga instructor, and daughter Christina who grew up to become a model, actress, opera singer, music therapist and romance novelist. Both used the surname Britton in their respective performance careers. Sadly, two other children born to Barbara and husband Eugene, a girl and a boy, died at the hospital shortly after birth. One of Barbara's last roles was as a regular on the daytime soap One Life to Live (1968) in 1979. Her enjoyment on this show was short-lived as the vivacious actress was diagnosed with pancreatic cancer not long after. She died in January of 1980 at age 59.
She is one of the entertainment industry's most successful female producers. Barbara Broccoli was born to legendary filmmaker Albert R. Broccoli, affectionately known as Cubby, and Dana Broccoli on June 18, 1960. Not long after, Cubby Broccoli and his new partner, Harry Saltzman, secured studio backing for an ambitious series of films inspired by the popular James Bond novels written by Ian Fleming. Ms. Broccoli grew up in the behind-the-scenes world of James Bond, traveling with her family around the world to various exotic locations. As a child, she liked to play with the photocopy machines in the offices of Eon Productions, Ltd., her father's company responsible for the Bond films. During location shooting in Japan for You Only Live Twice (1967), young Barbara caught a fever from the Japanese custom of sleeping on the floor. Sean Connery, whose star status provided him with a comfortable bed, generously relinquished it so Barbara could properly fight her illness. She graduated from Loyola University in Los Angeles, California with a degree in motion picture and television communications. Her first official credited job on the Bond films was for 1983's Octopussy (1983) in which she served as an executive assistant. But, as with any family business, one helps out where one can. For instance, in her father's autobiography "When The Snow Melts", she recalls a nightmarish situation involving A View to a Kill (1985) star Grace Jones. Later, for the two Timothy Dalton Bond films, she was promoted to associate producer, a post she shared with veteran Bond associate producer Tom Pevsner. The August 8, 1990 issue of Variety (weekly) reported that aging Cubby Broccoli had turned control of Eon Productions Ltd. over to Barbara and her half-brother, Michael G. Wilson (Dana's son, who had been an invaluable help to Cubby and the Bond franchise in various capacities since the mid-1970s). Due to some unfortunate business dealings with then-MGM ownership (the studio that bankrolled Bond and held significant interest in the series), production of the Bond films was put on what would become a six year hiatus. When the litigation was settled, "Bond 17" (eventually named GoldenEye (1995)) was on track and Barbara Broccoli, now a full producer alongside Michael G. Wilson, was faced with the challenge of bringing Bond back to the big screen. She has earned a reputation as being tough when she has to be and for volunteering for the toughest jobs, such as overseeing the Russian location unit. GoldenEye (1995) was a world-wide smash, and each of the succeeding Bond films were also enormously popular. This is a testament to the talent of Cubby Broccoli, who passed his knowledge of high-stakes film production on to Michael and later Barbara. The benefit of Cubby's experience is obvious when viewing the newest Bond films starring Pierce Brosnan. Her non-Bond producing credits include Crime of the Century (1996), which deals with the murder trial from the famous Lindberg kidnapping, and the popular London Stage production of "Chitty Chitty Bang Bang", which was co-produced by her mother Dana Broccoli and half-brother Michael G. Wilson. Both productions carried a personal interest for Ms. Broccoli. Charles Lindberg was her father's favorite hero, and "Chitty" was adapted from the film produced by her father, which was based upon the children's novel by Ian Fleming.