Filip Dewinter
Filip Dewinter was born on September 11, 1962 in Brugge, Belgium. He is known for Allah Islam (2012), The Brink (2019) and De nieuwste show (2007).
Filip Geljo
Filip Geljo is an actor, known for Odd Squad (2014), Odd Squad: The Movie (2016) and Avatar 4 (2026).
Filip Gurlacz
Filip Gurlacz was born in 1990 in Poland. He is an actor, known for Wataha (2014), Orzel. Ostatni patrol (2022) and Ludzie i bogowie (2020).
Filip Guzla
Filip Guzla is known for Bad Boy (2020), Botoks (2017) and Petla (2020).
Filip Góralczuk
Filip Góralczuk is an actor, known for W lesie dzis nie zasnie nikt (2020) and (Nie)znajomi (2019).
Filip Hammar
Filip Hammar was born on March 26, 1975 in Köping, Västmanlands län, Sweden. He is a writer and producer, known for Tårtgeneralen (2018), High Chaparall (2003) and Hasselhoff - en svensk talkshow (2014). He was previously married to Jennie Carlzon.
Filip Hellemans
Filip was born in Ghent (Belgium) on february 3 1975. Growing up he became fond of movies. He always wanted to get involved with movies. In 2013 he made his first appearance in a music video 'Waarom?' by Gene Thomas. Some months later he made his first movie appearance on 'De Maagd van Gent' in 2014 and then it started. Filip is also a comic book author.
Filip Hillesland
Filip Hillesland is known for Tropical Island (2015), Toast (2016) and Best Month Ever! (2022).
Filip Holm
Filip Holm is known for Avicii: True Stories (2017).
Filip Jan Rymsza
Filip Jan Rymsza is an award-winning filmmaker best known for spearheading the successful completion of Orson Welles' final film, "The Other Side of the Wind. For his work on "The Other Side of the Wind," he was awarded the Film Heritage Award by the National Society of Film Critics, the William K. Everson Film History Award by the National Board of Review, and a Special Citation by the Los Angeles Film Critics Association. His directorial debut, "Mosquito State," premiered at the 77th Venice International Film Festival, where it was awarded the Bisato d'Oro for Best Cinematography. The New York Times' Jeannette Catsoulis called Rymsza's work "a disquieting merger of body horror and social commentary... pierced by moments of disturbing beauty" and made it the NYT Critic's Pick.