Heather María Ács is a writer/director, intimacy coordinator, and actor. Her original queer series was recently selected for the Gotham Film Market. Her films have played Big Apple Film Festival NY (Best LGBTQ Short, "Flourish," 2020), London Short FF, Mardi Gras FF (Australia), and Oaxaca IFF. Mx. Ács has shadowed on shows for Amazon, Netflix, Apple TV, and Showtime. As an intimacy coordinator, she has worked on projects for Hulu (Plan B), HBO, and numerous independent films. She is a consultant with Reps on Set, advocating for authentic representation of LGBTQIA+, BIPOC, and BDSM/kink communities. Mx. Ács company, FemmePower Productions, commits to intersectional equity on screen and behind the scenes - centering queer, BIPOC, transgender, non-binary, body positive, and disabled cast, crew, and creatives. She launched the free streaming platform, FemmePowerTV - queer content for quarantine in May 2020 at femmepowerproductions, where you can watch her films and curatorial work. Mx. Ács is working-class raised, Appalachian, and mixed-race Anglo-Chicanx.
Heather Adair is an actress, known for Fresh Off the Boat (2015), The Young and the Restless (1973) and As We See It (2022).
Heather Agyepong is an actress, known for This Is Going to Hurt (2022) and The Power.
Heather Aitken is an actress, known for Impossible Horror (2017).
The youngest of 7, born to Scottish immigrants in the Boston area. Heather was blessed with the initials AHA. Fitting for a brave woman that has been a teacher, mother, military spouse and world traveler. Her travels allowed her 13 years of theater in Europe and film acting in London. Arriving in LA, Heather has wasted no time making a name for herself. Her insatiable curiosity and focus make her unstoppable.
Heather Amakwe is an actress, known for Monochrome: The Chromism (2019), Dirty Money (2018) and King for a Day (2018).
Heather Amos is known for In Harm's Way (2011), Why Am I in a Box? (2010) and The City (2009).
Heather Grace Angel was born in Oxford, England, on February 9, 1909. She dabbled on the stage for a time before coming to California to try her luck on the screen. Heather was 20 years old when she landed a bit part for the 1929 film, Bulldog Drummond (1929). Although she didn't know it at the time, she would become a staple of that particular series eight years hence. That movie would be her only foray onto celluloid for two years. When Heather did return, she did so in 1931's A Night in Montmartre (1931). Not only did she land a part, but it was the leading role in the picture, starring as Annette Lefevre. Later that year, she again landed the leading role in the acclaimed The Hound of the Baskervilles (1931). Throughout the 1930s, Heather's services were in high demand. She kept very busy in such productions as Men of Steel (1932), Charlie Chan's Greatest Case (1933), Orient Express (1934), and Daniel Boone (1936). In 1937, she began playing Phyllis Clavering in the serial about Bulldog Drummond. Audiences delighted in catching the latest adventures of Drummond. After the last Drummond film, Bulldog Drummond's Bride in 1939, Heather went on her way in other films. Although she didn't have the leading role, she did appear in top movies such as 1940's Kitty Foyle (1940) and Pride and Prejudice (1940) and in 1943's Cry 'Havoc' (1943). After Lifeboat (1944) in 1944, Heather wasn't seen again on the silver screen until The Saxon Charm (1948) in 1948. As with other actresses, Heather's time had come and gone. Her last appearance anywhere was in 1979's television mini-series, Backstairs at the White House (1979) when she played President 'Harry Truman''s mother-in-law. On December 13, 1986, Heather died in Santa Barbara, California, of cancer. She was 77 years old.