Henry Clequin is an actor, known for Dead Man's Cards (2006).
Henry Constable hails from Minneapolis, MN and has grown up in front of the camera. Henry started acting at a very early age appearing in several National, Regional and local ad campaigns. While consistently working commercially, Henry has worked professionally in film, voice over, music video and dramatic / Musical Theatre. Henry was voted the Best Male Actor under 18 by Broadway World Minneapolis in 2015. Henry loves to travel. His first trip overseas at age three inspired him to learn French. He's been back several times and now, he's fluent and navigates like a native. In his spare time, he enjoys theatre workshops, fishing, traveling and spending time with friends and family. Henry supports Alex's Lemonade Stand and Lemon Run, raising money to find better treatment and cures for childhood cancer. Henry splits his time between LA, Minneapolis and New York. He is represented on both coasts.
Henry Coombes is a writer and director, known for Seat in Shadow (2016), Gralloch (2007) and The Bedfords (2009).
Before the ascent of Lennox Lewis in the 1990s, Henry Cooper was considered the greatest heavyweight boxer in modern British history. Friendly, polite, well-mannered, and always a "good sport", he and his twin brother George Cooper (he fought as Jim Cooper) embarked on colorful professional boxing careers together. Jim Cooper, however, never reached his brother's abilities or popularity and retired in 1964 with a 16-14-1 record. Henry on the other hand, went on to dominate the European scene for 15 straight years. He captured the British Commonwealth Heavyweight Title in 1957 and held the crown no less than 4 times till 1972. He was also a multiple European Heavyweight Champion. He is most noted for knocking down a young Cassius Clay (later to become Muhammad Ali) in their 1963 elimination bout. He fought Muhammad Ali for the championship in 1966, only to be brutally battered and bloodied. In 1970, at the advanced age of 36, he scored the biggest win of his career by destroying the myth of invincibility surrounding Spain's Jose Manuel Urtain, who had a 34-1 record with 33 knockouts. Cooper boxed him beautifully and stopped him in 9 rounds to capture the European crown. Previously, he had regained the British titles with an upset victory over the much younger Jack Bodell. Seemingly on the verge of another title shot, he lost a highly controversial and disputed 15 round decision to 21 year old Joe Bugner to lose all three of his boxing championships. Cooper was so angered by the decision that he announced his retirement with a 40-14-1 record, never to box again. It took almost 20 years for him to forgive the ring official who voted against him. Henry Cooper today remains an honored, respected, and popular man in the UK. He appears in movies and television shows, and is an avid golfer.
Although versatile character actor and voice extraordinary Henry Corden will forever be associated with, and fondly remembered for, providing the bellicose, gravel-toned rasp of cartoon immortal Fred Flintstone, he enjoyed a long and varied career prior to this distinction, which took up most of his later years. Born in Montreal, Canada, on Tuesday, January 6, 1920, his family moved to New York while he was still a child. Henry received his start on stage and radio before heading off to Hollywood in the 1940s. He made his film debut as a minor heavy in the Danny Kaye vehicle, The Secret Life of Walter Mitty (1947), as Boris Karloff's bestial henchman, and continued on along those same lines, often in uncredited/unbilled parts. A master at dialects, he was consistently employed as either an ethnic Middle Eastern villain or some sort of streetwise character (club manager, salesman) in 1950s costumed adventures and crime yarns, both broad and serious. He seldom made it into the prime support ranks, however, with somewhat insignificant parts in Abbott and Costello in the Foreign Legion (1950), The Asphalt Jungle (1950), Viva Zapata! (1952), Scaramouche (1952), I Confess (1953), King Richard and the Crusaders (1954), Jupiter's Darling (1955) and The Ten Commandments (1956). On TV, he could regularly be found on both drama ("Perry Mason", "The Untouchables") and light comedy ("My Little Margie," "Mister Ed"). A heightened visibility on TV included playing Barbara Eden's genie father on "I Dream of Jeannie" and as the contentious landlord "Mr. Babbitt" on "The Monkees". Henry made a highly lucrative move into animation in the 1960s supplying a host of brutish voices on such cartoons as "Johnny Quest", "The Jetsons", "Secret Squirrel", "Atom Ant", "Josie and the Pussycats", and "The Harlem Globetrotters". He inherited the voice of Fred Flintstone after the show's original vocal owner, Alan Reed, passed away in 1977. He went on to give life to Flintstone for nearly three decades on various revamped cartoon series, animated specials and cereal commercials. He was performing as Flintstone, in fact, until about three months prior to his death of emphysema at the age of 85 on Wednesday, May 19, 2005. Married four times, he was survived by wife Angelina; two daughters (from his first marriage), and three stepchildren (from his last union).
Henry Czerny was born on February 8, 1959 in Toronto, Ontario, Canada. He is an actor, known for Mission: Impossible (1996), Clear and Present Danger (1994) and The Pink Panther (2006). He has been married to Claudine Cassidy since 2001. They have one child.
Henry D'Alonzo is known for Scary Story Slumber Party (2017), Unavailable (2012) and Dream About Angels (2012).
Henry Dean Coleman is a native of the small northwest Louisiana city of Monroe. He is an educator and counselor with over thirty years experience. He holds a Bachelor of Arts and Masters degrees, along with a Doctorate in Ministry. He is an ordained minister with a great deal of experience in Youth Ministry. He has lived in New Orleans for several decades.
One of Hollywood's greatest screen villains, Charles Henry Pywell Daniell was born in London, England, the son of Elinor Mary (Wookey) and Henry Pyweh Daniell, L.R.C.P. He had the profound misfortune to make his professional theatrical debut on the eve of World War I. His life thus interrupted, he served in the trenches on the Western Front with the 2nd Battalion of the British Army's Norfolk Regiment. Wounded in action, he was invalided out of service in 1915 and spent much of the next few years on the West End stage without rising to particular prominence. In 1921, he made his way to the U.S. and worked hard to establish himself as a character player on Broadway, beginning with his role as Prince Charles de Vaucluse in "Claire de Lune". He enjoyed critical acclaim in only his third performance on the 'Great White Way', co-starring with Ethel Barrymore in "The Second Mrs. Tanqueray" (1924). For the remainder of the decade, Daniell alternated touring on both sides of the Atlantic, before making his first appearance on screen in 1929. Daniell's lean physique, sardonic, almost reptilian features, cold voice and incisive manner made him ideally cast as icy, austere aristocrats or as insidious, manipulating evil masterminds in period drama. His most famous role was as the duplicitous Lord Wolfingham in The Sea Hawk (1940), though Daniell's inexperience as a swordsman compelled Warner Brothers to use a stuntman for the climactic fight scene with Errol Flynn. The previous year, Daniell had essayed the conspiratorial Sir Robert Cecil, spy master to Elizabeth I, with equal verve in The Private Lives of Elizabeth and Essex (1939). Under contract to MGM (1936-37), he also excelled as the erstwhile mentor of Greta Garbo's Camille (1936), the Baron de Varville. Their vitriolic exchanges are a highlight of the film and belie the fact that Daniell was fretfully nervous acting opposite Garbo. His other, invariably unsympathetic, portrayals include the scheming La Motte in Marie Antoinette (1938), the hypocritical clergyman Henry Brocklehurst in Jane Eyre (1943) and the gleefully villainous Regent in The Bandit of Sherwood Forest (1946). By the 1940's, Daniell popped up more and more in lower budget productions, yet managed to deliver two of his finest performances to date: the first, as Professor Moriarty, arch nemesis of Sherlock Holmes (played by his real-life friend Basil Rathbone) in The Woman in Green (1945); the second, as Dr. Wolfe MacFarlane, a 19th century Edinburgh surgeon employing the grave-robbing services of Boris Karloff in The Body Snatcher (1945), a Faustian parable in which any semblance of morality and virtue is sacrificed to the pursuit of scientific knowledge. In the end, Gray (Karloff), the instrument of MacFarlane's machinations becomes "a canker in his body", but even his killing cannot assuage the surgeon's guilty conscience and he is eventually hounded to death by visions of the latter's corpse. This was a rare leading role for Daniell whose scenes with Karloff are among the most chilling of any in this genre. For a change of pace -- or, perhaps, to change his image -- Daniell did the occasional comedic turn, most notably in Charles Chaplin's Third Reich parody The Great Dictator (1940), as 'Garbitsch', a none too thinly disguised caricature of Joseph Goebbels. On stage, he enjoyed his most successful run (344 performances) as the avaricious Henri Trochard in "My 3 Angels" at the Morosco Theatre in 1953. The play was filmed two years later as We're No Angels (1955), with, who else, but Basil Rathbone, in the part. Daniell died of a heart attack on the set of My Fair Lady (1964).
Henry Darrow McComas is a Writer/Director from Anchorage, Alaska, with a passion for discovering beauty in the overlooked. This theme is a rich part of Wolfman's Got Nards: A Documentary, an award-winning horror documentary - which he produced, wrote, shot and edited - that celebrates the beloved cult film 'The Monster Squad' and its dedicated following. It quickly became a festival darling, introducing McComas to the LA horror community, and continues to gain fans and critical acclaim worldwide. McComas' scripts use genre as a tool to explore personal human relationships. He puts his characters in dangerous settings like the unforgiving North American frontier and haunts them with metaphor...something he picked up from his youth chasing daylight during frigid Arctic winters. McComas conjures horror out of his real life experiences. His first studio narrative feature film, THE CAMP HOST, was inspired by a van trip he took with his wife during the global pandemic. He wrote the script in the van; drove the van to Toronto to shoot the movie; and worked with his editor remotely from the van. His productions have taken him all over the world (including Antarctica) and he swears his next project will be based somewhere tropical. He's a multi-hyphenate filmmaker who has created for some of the industry's biggest studios and networks. McComas's award-winning film production company, Crooked Lake Productions was named after the lake he grew up at during his mid-west summer vacations in the Wisconsin Northwoods. (Go Pack Go!) The brand reminds him to always play make-believe while working because creativity is best served when you're having fun. His work includes writing, directing, producing, shooting and editing feature films, writing and directing scripted series for digital platforms and television and writing and directing numerous award winning documentaries and short films. Among the many happy clients, partners and employers McComas has worked with are: Netflix, Lionsgate, Disney, Marvel, National Geographic, Legendary Entertainment, FOX, Tubi, Mar Vista Entertainment, Neshama Entertainment, Nerdist, The Pokémon Company International, Comic Con HQ, Alpha, Vinegar Syndrome, Arrow Films, and Pilgrim Media Group. McComas currently resides in sunny Los Angeles where he writes, directs, and produces narrative features and television but always keeps one foot in the snow.