Louis Limantour
Louis Limantour is an actor, known for The Last Inn (2021).
Louis Littlejohn
Louis Littlejohn is known for Kiddets (2018), Cleverman (2016) and Millie Lies Low (2021).
Louis Lois
Louis Lois is known for Righteous Blood (2021), The Vampire and the Vigilante and Only Fans - Allowed.
Louis Lombardi
Having appeared in notable feature films such as the Oscar-winning "The Usual Suspects" and Oliver Stone's "Natural Born Killers," Louis Lombardi (born and raised in the Bronx, NY) has made a career out of his natural acting style. Louis just completed his first feature film,"Doughboys", which he wrote, directed and starred in. The movie was filmed on location in his hometown. In 1993, Louis co-starred in the Sundance Film Festival darling, "Amongst Friends." Lombardi's performance in the independent hit film garnered the attention of director Oliver Stone and led to the actor's role in "Natural Born Killers." Most recently, Louis has played featured roles in the comedy hit "The Animal" with Rob Schneider and "Deuces Wild." Among Louis' other directing credits is the short film "The Boss," an independent film which he wrote, directed and starred in. Filmed at the Roxbury, a trendy Los Angeles nightclub, "the Boss" tells the story of a cruel nightclub owner on New Year's Eve. Louis' ultimate passion is to write and direct. Among Lombardi's many television credits is the hit series "24", where he appeared as the love able computer systems analyst Edgar Stiles. In addition, Louis has had recurring roles on the television series "The Sopranos," where he played tough NY federal agent Skip Lipari. His other credits include: "Entourage" and "Las Vegas" He also co-starred in the role of the brutish Cal, Mr. Roarke's obedient jack-of-all-trades, in the ABC remake of "Fantasy Island." In addition, he has co-starred on CBS's "EZ Streets " and "CSI."
Louis Lumière
Although no one will ever come up with a definitive answer as to who invented the cinema (probably because no one single person was responsible), Louis Lumière has one of the strongest claims to the title - for it was he (with his brother Auguste) who invented the cinematographe : a machine that combined the functions of camera and projector and was thus able to project films onto a screen to an audience. The invention was patented on February 13 1895, and a programme of short films directed and photographed by Louis was first unveiled to the general public on 28 December 1895 - a date that many historians claim to be the birth-date of the cinema as we know it. The cinematographe was an immediate hit, and its influence was colossal -within just two years, the Lumière catalogue included well over a thousand films, all of them single-shot efforts running under a minute, and many photographed by cameramen sent to various exotic locations. Although Lumière also staged some fictive scenes, the bulk of the work bearing his name would nowadays be described as documentary reportage. In common with many cinema pioneers, he perversely saw no future for the medium, and retired in 1900 to make still photographic equipment -the field in which he originally made his reputation. The Lumière freres' cinematographer was not their only invention. Mainly Louis is also credited with the birth of color photograph, the Autochromes, using a single exposure trichromic basis (instead of a long three-step exposure) : a glass plaque is varnished and embedded with potato starch tinted in the three basic colors (rouge-orange, green and violet-blue), vegetal coal dust to fill the interstices and a black-and-white photographic emulsion layer to capture light. They were the main and more successful procedure for obtaining color photographs from 1903 to 1935, when Kodachrome, then Agfacolor and other less fragile film based procedures took over. An Autochrome is positivated from the same plaque, so they are unique images with a soft toned palette. As the Institut Lumière describes them, they are a middle point between photography and painting (akin specially to pointillism technique), because of their pastel shades and easy but still static pose looks. Many of the Lumières friends who got affectionate to the idea presented them with autochromes, assembled by the Institut Lumière a Lyon, the National Geographic Society, Library of Congress and other museums.
Louis M. Heyward
Born in New York City, Louis Heyward was headed for a career as a lawyer while at the same time moonlighting as a writer of scripts for various radio series. After a six-year Air Force hitch, he landed a job with the Associated Press but continued to dabble with radio scripts, and later found an eight-year home as a comedy writer on daytime TV's The Garry Moore Show (1950). Other jobs in New York TV included writing comedy material and skits for The Ernie Kovacs Show (1952) (the program was Emmy-nominated in 1956, the same year Heyward won the Sylvania Award as its top comedy writer) and developing The Dick Clark Show (1958). Migrating to Hollywood, he held executive posts at 20th Century-Fox and MCA before joining forces with American International Pictures, first as a writer, then as director of motion picture and TV development and ultimately as head of the company's London-based foreign arm. He later became the vice-president of development at Barry & Enright, producers of game shows, features and TV movies.
Louis Mahoney
Gambian Louis Felix Danner Mahoney was born on Septenber 8, 1938 and came to England ostensibly to train as a doctor. However, he abandoned medicine for the stage, probably his original intention. He enrolled at acting school in the 1970s. He was a tireless campaigner for racial equality in his profession, as a member of the Equity Afro-Asian Committee and as co-creator, with Mike Phillips, of the Black Theatre Workshop. He helped establish the Equity Performers Against Racism group, developed to circumvent Equity rules preventing political campaigning, in which he was helped by a number of white actors. He was Vice President of Equity between 1994 and 1996. In addition to appearing with most of the major theatre companies he notched up numerous television performances. One of his most famous roles was as the dying werewolf Roy in Being Human (2008).
Louis Malle
Louis Malle, the descendant of a French nobleman who made a fortune in beet sugar during the Napoleonic Wars, created films that explored life and its meaning. Malle's family discouraged his early interest in film but, in 1950, allowed him to enter the Institute of Advanced Cinematographic Studies in Paris. His résumé showed that he had worked as an assistant to film maker Robert Bresson when Malle was hired by underwater explorer Jacques-Yves Cousteau to be a camera operator on the Calypso. Cousteau soon promoted him to be co-director of Le monde du silence (1956) ("The Silent World"). Years later, Cousteau called Malle the best underwater cameraman he ever had. Malle's third film, Les amants (1958) ("The Lovers"), starring Jeanne Moreau broke taboos against on screen eroticism. In 1968 the U.S. Supreme Court reversed the obscenity conviction of an Ohio theater that had exhibited "Les Amants." A director during the Nouvelle Vague, New Wave" of 1950s and 1960s (though technically not considered a Nouvelle Vague auteur), he also made films on the other side of the Atlantic, starting with Pretty Baby (1978), the film that made Brooke Shields an international superstar. The actress who played a supporting role in that film was given a starring role in Malle's next American film, Atlantic City (1980). That promising actress was Susan Sarandon. In one of his later French films, Au revoir les enfants (1987), Malle was able to find catharsis for an experience that had haunted him since the German occupation of France in World War II. At age 12, he was sent to a Catholic boarding school near Paris that was a refuge for several Jewish students, one of them was Malle's rival for academic honors and his friend. A kitchen worker at the school with a grudge became an informant. The priest who was the principal was arrested and the Jewish students were sent off to concentration camps. In his final film, Vanya on 42nd Street (1994), Malle again penetrated the veil between life and art as theater people rehearse Anton Chekhov's "Uncle Vanya." In that film, Malle worked again with theater director Andre Gregory and actor-playwright Wallace Shawn, the conversationalists of My Dinner with Andre (1981). Malle was married to Candice Bergen, and he succumbed to lymphoma in 1995.
Louis Mandylor
Louis Mandylor is most recognized for his leading credits in a variety of highly acclaimed, award-winning films and television series, including the Academy Award-nominated box office smash hit comedy My Big Fat Greek Wedding (2002), and its sequel, My Big Fat Greek Wedding 2 (2016). Additionally, he is known for his leading credits in the Primetime Emmy Award-nominated series CSI: Miami (2002) and CSI: NY (2004), in Friends (1994) as "Joey's Twin," in the ALMA Award-winning drama sports film Price of Glory (2000), in the CBS hit show Martial Law (1998) with Sammo Kam-Bo Hung, and in Can't Hurry Love (1995) with Mariska Hargitay and Nancy McKeon; also, recently claiming some praise reviews for The Debt Collector (2018). Louis Mandylor as Sue in The Debt Collector (2018): ". . . I thought Mandylor's monologue about why he drinks was one of the finest acting moments of his career and was genuinely moving. . . ." -Theactionelite.com ". . . Mandylor stands tall next to Adkins as French's grizzled and burnt out guide through this new shady world he finds himself in. The two have a genuine chemistry that makes every scene they play off each other feel fun and breezy. . . ." -Aintitcool.com ". . . Mandylor's grizzled veteran collector is the perfect foil to the fresh-faced Brit. . . ." -Cityonfire.com Mandylor also just finished filming Doom: Annihilation (2019) for Universal.
Louis Martin
Louis Martin is known for The Kid Who Would Be King (2019), The Sandman (2022) and Holby City (1999).