Lucio Castro was born in 1975 in Buenos Aires, Argentina. His latest short film "Trust Issues" (NY, 2018) was presented at the Cannes Film Festival 2018. "End of the Century" (Fin de siglo), his debut feature film, will have its world premiere at New Directors / New Films 2019 at MoMA, New York.
Lucio Como is known for Agenten kennen keine Tränen (1978), Squadra volante (1974) and Le mani di una donna sola (1979).
Lucio Fernandez is a multi-award winning actor, singer, director, and producer. His many awards include a "Star" at the Celia Cruz Park Walk of Fame, ATI Award, ARTE Award, ITRA Award, ACE Award, STAR Award, Proclamation from the United States Congress, State Proclamation from Governor Chris Christie, and many other Proclamations, Citations, and awards for his artistic achievements and contributions to the community. He has had a varied and successful career working extensively as an actor, singer, director, and producer. In 2014 he appeared in the play "Comfort" at Lincoln Center in NYC; and in 2013, Lucio appeared Off Broadway in the plays "Till Death" and "Busco Amigo"; and prior to that he starred and produced the Off Broadway play "Cuba: Punto X" to great critical acclaim, and which garnered two ACE Awards, two HOLA Awards, and one ATI Award. He received rave reviews for his one-man show entitled "Lucio... Less Cuban Than Ever" in a sold-out run at The Laurie Beechman Theatre in NYC. His previous one-man show "The Cuban Kid" also played to sold out audiences in NYC and received stellar reviews as well as several awards, including a MAC Award nomination. In 2014, Lucio produced a series of important events to bring attention to "Comfort Woman" and abuses against women world-wide. He was instrumental in installing in the City of Union City, NJ a monument dedicated to the "Comfort Woman", abuses against women, and human rights. He also curated an art installation "Our Cry"; produced several classical music concerts; and produced and starred in the play "Comfort" at Lincoln Center in NYC, all to bring attention to this important cause. As a vocalist, Lucio has recorded the music CD's entitled "American Mambo", "Enamorado" and "Volver a Ti", as well as a poetry CD featuring his own poetry entitled "Lucio Fernandez, Poetry". Recently he toured throughout Mexico, Ecuador, and the Dominican Republic, followed by a concert at Lincoln Center in NYC. Although he is a solo artist, he is also presently lead singer and manager of the musical group Maxima Alerta. He has traveled the world with several Broadway shows including "West Side Story", "Guys And Dolls", "A Chorus Line", "Jesus Christ Superstar", and "On The Town". He has worked with many of Broadway's leading directors and choreographers, including Jerome Robbins, Jerry Zaks, Michael Peters, Robert Longbottom, and Alan Johnson. For three and a half years, he was a principal actor with Repertorio Español in NYC where he performed in such plays as "Strawberry and Chocolate", "Vieques", "Luminaria", "El Publico" by Federico Garcia Lorca, "El Cano", "Te Juro Juana Que Tengo Ganas", and "The Next Stop". Lucio also starred in the Off Broadway play "Speedo & The Straight Man" at the Kraine Theater in NYC for which he received much critical acclaim. Broadway Workshops include "Tropicana" (Chita Rivera, Artistic Director), "Strides" (Michele Assaf, Choreographer), and "El Shaddai". Lucio has performed alongside many great artists including Marc Anthony, Shirley MacLaine, Gene Kelly, The Pointer Sisters, Tommy Tune, Susan Lucci, Shirley Verrett, Lupita Ferrer, and Lorna Luft. Recently he has appeared in concert alongside such notable Latin recording artists as Jon Secada, Jose Luis Rodriguez "El Puma", Sophy De Puerto Rico, Elio Roca, Malena Burke, and Roberto Ledesma. He has performed at many of the world's finest theaters including Lincoln Center in New York City, the Chatelet in Paris, and the Berlin Opera House. Recently he was invited by the Guayaquil Symphony Orchestra in Guayaquil, Ecuador to perform a solo concert; as well as performed multiple concerts throughout Mexico. He has made appearances on many television shows including a recurring role as an "orderly" on the daytime series "All My Children". Most recently he was seen on "Younger" on TV Land, the Emmy Award winning show "30 Rock" on NBC, "Louie" on FX, and "The Jimmy Fallon Show" on NBC. Presently, he is the host of the television show "Live On Stage" airing on Cablevision, ComCast, Time Warner Cable, RCN, and Verizon FiOS; and on the show "La Revista Semanal" on Azteca America. Lucio has appeared in many television and radio commercials for products such as Coca-Cola, Budweiser, Sprite, Panasonic, Kudos, Verizon, etc. He has worked extensively as a voice-over artist, and did the looping for the role of "Lazaro" in the award winning feature film "Before Night Falls", and on the feature film "Che" starring Benicio Del Toro. Lucio is the author of "Union City in Pictures", two poetry books, two children's books, and a dozen plays. He has directed, choreographed, and produced many shows, from big musicals to one character plays, from children's performances to benefit concerts. His comedy "Till Death Do Us Part" premiered at The Grace Theatre in 2001, and then played at Newark Symphony Hall, followed by a run at The Gramercy Arts Theatre in NYC. His family musical "Friend Wanted" also premiered at The Grace Theatre before touring through many of New Jersey's best theaters. His original production, "Havana Moon, The Musical" played to a sold-out audience at Newark Symphony Hall, then at the Park Performing Arts Center. As a fine artist, he has exhibited his work at many galleries and museums, including Queens Museum of Art, Union City Museum of Art, Newark Museum of Art, Pace University, and MasterCard World Headquarters. Lucio is founder & CEO of MeLu Communications Group, a full service production and public relations company, dedicated to producing for theatre, television, and film. Through its subsidiary, MeLu films, the company has produced several films including the feature films "Vampire in Union City", "Bahia de Cochinos, Nuestra Perspectiva", and "Union City, U.S.A."; as well as many short films such as "Massacre in the Woods", "Under a City Tree", "Blink", "Cubanoson: The Story", "Pissin", "The Embroidery Industry in Union City, NJ", "Sal", "Painting Linda", "The Extinguisher", "Revelations of Identity", and "HUGO, The Story of Artist Hugo W. Morales". He has produced many films with other companies including "The Death of April", "La Academia", and "Almas de Furia". He was co-founder and Artistic Director of The Grace Theatre Workshop, Inc., the premiere presenter of bilingual and Spanish language theatre in the State of New Jersey. He has taught dance, drama, and playwritting, as well as participated in many school career days, and lectured at many organizations. Lucio is presently Commissioner of the City of Union City. He has served as Chairman of the Union City Redevelopment Board, Trustee of the Union City Board of Education, Commissioner for the Union City Housing Authority, President of the Union City Public Library Friends, Inc., and President of the Union City Day Care Program. Lucio is a graduate of Rutgers University, and studied acting in New York City with the legendary acting teacher Bobby Lewis. He is an advocate for the arts and is always trying to promote and support artists and the arts in general, as well as stress the importance of the arts in every community.
Lucio Flauto was born in August 1930 in Busto Arsizio, Lombardy, Italy. He was an actor, known for Gamma (1975), Vacanze sulla Costa Smeralda (1968) and Marinai in coperta (1967). He died in 1989 in Busto Arsizio, Lombardy, Italy.
Lucio Fulci, born in Rome in 1927, remains as controversial in death as he was in life. A gifted craftsman with a sharp tongue and a wicked sense of dark humor, Fulci achieved some measure of notoriety for his gore epics of the late 1970s and early 1980s, but respect was long in coming. Abandoning his early career as a med student, Fulci entered the film industry as a screenwriter and assistant director, working alongside such directors as Steno and Riccardo Freda. Granted his debut feature in 1959, with a seldom seen comedy called I ladri (1959) (The Thieves), Fulci quickly established himself as a prolific craftsman adept at musicals, comedies and westerns. In 1968, Fulci made his first mystery thriller, Una sull'altra (1969), and its success was sufficient to garner the backing for his pet project Beatrice Cenci (1969). Based on a true story, the film details the trial of a young woman accused of murdering her sexually abusive father amid fear and superstition in 16th Century Italy. A scathing commentary on church and state, the film was the first to give voice to its director's passionate hatred of the Catholic Church. Predictably, the film was misunderstood, and Fulci's career was thrown into jeopardy. Deciding it would be best to leave his political feelings on the back burner, Fulci pressed on with a series of slickly commercial ventures. In 1971 and 1972, Fulci re-established himself in the thriller arena, directing two excellent giallos: the haunting Una lucertola con la pelle di donna (1971) and the disturbing Non si sevizia un paperino (1972). The former, with its vivid hallucinations involving murderous hippies and vivisected canines, and the latter, with its psychotic religious zealots and brutal child killings, were -- to say the least -- controversial. In particular, Non si sevizia un paperino (1972), despite a huge box-office success, painted too graphic a portrait of perverted Catholicism, and Fulci's career was derailed... some would say, permanently. Blacklisted (albeit briefly) and despised in his homeland, Fulci at least found work in television and with the adventure genre with two financially successful Jack London 'White Fang' adventure movies in 1973 and 1974 which were Zanna Bianca, and Il ritorno di Zanna Bianca. Also during the mid and late 1970s, Fulci also directed two 'Spaghetti Westerns'; I quattro dell'Apocalisse (1975) and Sella d'argento (1978), (Silver Saddle) and another 'giallo'; Sette note in nero (1977), as well as a few sex-comedies which include the political spoof Nonostante le apparenze... e purchè la nazione non lo sappia... all'onorevole piacciono le donne (1972) (aka: The Eroticist), and the vampire spoof Il cav. Costante Nicosia demoniaco, ovvero: Dracula in Brianza (1975) (aka: Young Dracula), and the violent Mafia crime-drama Luca il contrabbandiere (1980). In 1979, Fulci's film making career hit another high point with him breaking into the international market with Zombi 2 (1979), an in-name-only sequel to George A. Romero's Dawn of the Dead (1978), which had been released in Italy as 'Zombi'. With its flamboyant imagery, graphic gore and moody atmospherics, the film established Fulci as a gore director par excellence. It was a role he accepted, but with some reservations. Over the next three years, Fulci plied his trade with finesse and flair, rivaling even the popularity of his "opponent" Dario Argento, with such sanguine classics as Paura nella città dei morti viventi (1980) and ...E tu vivrai nel terrore! L'aldilà (1981). Frequently derided as sheer sensationalism, these films, as well as the reviled Lo squartatore di New York (1982) are actually intelligently crafted, with sound commentaries on everything from American life to religion. High on vivid imagery and pure cinematic style, Fulci's films from this period of the early 1980s represent some of his most popular work in America and abroad, even if they do pale in comparison to his 1972 masterpiece and personal favorite Non si sevizia un paperino (1972) (an impossible act to follow, as it happens). In the mid-1980s, at the peak of his most prolific period, Fulci became beset with personal problems and worsening health. Much of his work from the mid-1980s onward is disappointing, to say the least, but flashes of his brilliance can be seen in works like Murderock - Uccide a passo di danza (1984) and Il miele del diavolo (1986). Un gatto nel cervello (1990), one of Fulci's last works, remains one of his most original. Though strapped by budgetary restraints and marred by mediocre photography, the film is wickedly subversive and comical. With Fulci playing the lead role (as more or less himself, no less -- a harried horror director who fears that his obsession with sex and violence is a sign of mental disease), Fulci also proves to be an endearing and competent actor (he also has cameos in many of his films, frequently as a detective or doctor figure). By the 1990s, Fulci went on a hiatus with film making for further health and personal reasons as the Italian cinema market went into a further decline. While in pre-production for the Dario Argento-produced M.D.C. - Maschera di cera (1997), Lucio Fulci passed away at his home on March 13, 1996 at the age of 68. A serious diabetic most of his adult life, he inexplicably forgot to take his insulin before retiring to bed; some consider his death a suicide, others consider it an accident, but his many fans all consider it to be a tragedy. Whether one considers him to be a hack or a genius, there's no denying that he was unique.
Lucio Micieli is an actor, known for Cristiano Rolando (2018).
Lucio Montanaro was born on June 22, 1951 in Martina Franca, Puglia, Italy. He is an actor and producer, known for Fotoromanzo (1986), Club Vacanze (1995) and Lo scugnizzo (1979).
Luco Patanè was born in Rome, July 13th, 1971. His first acting role was in Mario Monicelli's film "Amici Miei Atto II", at the age of 10. Luco begins exploring theatre while at university, and later begins to work on stage productions as well as film and television series, such as: "Nico 1988", "Cosmonauta" (dir. Susanna Nichiarelli), "The face of an angel" (dir. Michel Winterbottom), and "Trust" (dir. Danny Boyle).
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