Lana Titov
Lana Titov is an actress and director, known for War Z Day One (2013), Doctor Strange in the Multiverse of Madness (2022) and A Good Day to Die Hard (2013).
Lana Turner
Lana Turner had an acting ability that belied the "Sweater Girl" image MGM thrust upon her, and even many of her directors admitted that they knew she was capable of greatness (check out The Postman Always Rings Twice (1946)). Unfortunately, her private life sometimes overshadowed her professional accomplishments. Lana Turner was born Julia Jean Mildred Francis Turner in Wallace, Idaho. There is some discrepancy as to whether her birth date is February 8, 1920 or 1921. Lana herself said in her autobiography that she was one year younger (1921) than the records showed, but then this was a time where women, especially actresses, tended to "fib" a bit about their age. Most sources agree that 1920 is the correct year of birth. Her parents were Mildred Frances (Cowan) and John Virgil Turner, a miner, both still in their teens when she was born. In 1929, her father was murdered and it was shortly thereafter her mother moved her and the family to California where jobs were "plentiful". Once she matured into a beautiful young woman, she went after something that would last forever: stardom. She wasn't found at a drug store counter, like some would have you believe, but that legend persists. She pounded the pavement as other would-be actors and actresses have done, are doing and will continue to do in search of movie roles. In 1937, Lana entered the movie world, at 17, with small parts in They Won't Forget (1937), The Great Garrick (1937) and A Star Is Born (1937). These films didn't bring her a lot of notoriety, but it was a start. In 1938 she had another small part in Love Finds Andy Hardy (1938) starring Mickey Rooney. It was this film that made young men's hearts all over America flutter at the sight of this alluring and provocative young woman--known as the "Sweater Girl"--and one look at that film could make you understand why: she was one of the most spectacularly beautiful newcomers to grace the screen in years. By the 1940s Lana was firmly entrenched in the film business. She had good roles in such films as Johnny Eager (1941), Somewhere I'll Find You (1942) and Week-End at the Waldorf (1945). If her career was progressing smoothly, however, her private life was turning into a train wreck, keeping her in the news in a way no one would have wanted. Without a doubt her private life was a threat to her public career. She was married eight times, twice to Stephen Crane. She also married Ronald Dante, Robert Eaton, Fred May, Lex Barker, Henry Topping and bandleader Artie Shaw. She also battled alcoholism. In yet another scandal, her daughter by Crane, Cheryl Crane, fatally stabbed Lana's boyfriend, gangster Johnny Stompanato, in 1958. It was a case that would have rivaled the O.J. Simpson murder case. Cheryl was acquitted of the murder charge, with the jury finding that she had been protecting her mother from Stompanato, who was savagely beating her, and ruled it justifiable homicide. These and other incidents interfered with Lana's career, but she persevered. The release of Imitation of Life (1959), a remake of a 1934 film (Imitation of Life (1934)), was Lana's comeback vehicle. Her performance as Lora Meredith was flawless as an actress struggling to make it in show business with a young daughter, her housekeeper and the housekeeper's rebellious daughter. The film was a box-office success and proved beyond a doubt that Lana had not lost her edge. By the 1960s, however, fewer roles were coming her way with the rise of new and younger stars. She still managed to turn in memorable performances in such films as Portrait in Black (1960) and Bachelor in Paradise (1961). By the next decade the roles were coming in at a trickle. Her last appearance in a big-screen production was in Witches' Brew (1980). Her final film work came in the acclaimed TV series Falcon Crest (1981) in which she played Jacqueline Perrault from 1982-1983. After all those years as a sex symbol, nothing had changed--Lana was still as beautiful as ever. She died on June 25, 1995, in Culver City, California, after a long bout with cancer. She was 74 years old.
Lana Vlady
Lana Vlady was born on April 6, 1987 in Leningrad, RSFSR, USSR. She is an actress and director, known for Sulphur (2020), Promises (2021) and Dime quién soy (2020).
Lana Wachowski
Lana Wachowski and her sister Lilly Wachowski, also known as the Wachowskis, are the duo behind such ground-breaking movies as The Matrix (1999) and Cloud Atlas (2012). Born to mother Lynne, a nurse, and father Ron, a businessman of Polish descent, Wachowski grew up in Chicago and formed a tight creative relationship with her sister Lilly. After the siblings dropped out of college, they started a construction business and wrote screenplays. Their 1995 script, Assassins (1995), was made into a movie, leading to a Warner Bros contract. After that time, the Wachowskis devoted themselves to their movie careers. In 2012, during interviews for Cloud Atlas and in her acceptance speech for the Human Rights Campaign's Visibility Award, Lana spoke about her experience of being a transgender woman, sacrificing her much cherished anonymity out of a sense of responsibility. Lana is known to be extremely well-read, loves comic books and exploring ideas of imaginary worlds, and was inspired by Stanley Kubrick's 2001: A Space Odyssey (1968) in creating Cloud Atlas.
Lana Welch
Lana Welch is an actress, known for Love Possibly (2018).
Lana Wihlborg
Lana Wihlborg is known for Lamp Life (2020).
Lana Wilson
Lana Wilson is an Emmy-winning and two-time Spirit Award-nominated writer and director. Transformative quests for meaning and humanity connect her diverse body of work across documentaries, short films, and episodic. Her most recent film, the Taylor Swift documentary Miss Americana (2020), was the opening night film of the 2020 Sundance Film Festival and is a Netflix Original. Miss Americana was a New York Times Critic's Pick, an IndieWire Critic's Pick, and was named one of the Five Best Documentaries of the Year by the National Board of Review. Wilson's previous feature film, The Departure (2017), about a punk-turned-priest in Japan, was critically acclaimed for being a poetic, profound, and moving exploration of what makes life worth living. The Departure premiered at the Tribeca Film Festival in 2017, played at festivals around the world, and was nominated for the Independent Spirit Award for Best Documentary. The Departure was called "A work of art" by the San Francisco Chronicle, "A genuinely spiritual experience" by the Washington Post, and "Tender and moving...like a haiku" by the New York Times. The film was acquired by FilmRise and theatrically released in 30 US cities, beginning with a held-over run at New York's Metrograph. The Departure has a rare 100% rating on Rotten Tomatoes, indicating "universal acclaim." Wilson's first film, After Tiller (2013), goes inside the lives of the four most-targeted abortion providers in the country, taking a powerful and complex look at one of the most incendiary issues of our time. After Tiller premiered at the Sundance Film Festival in 2013, and went on to win an Emmy Award for Best Documentary. It was also nominated for the Independent Spirit Award for Best Documentary, four Cinema Eye Honors, a Satellite Award, and the Ridenhour Prize. After Tiller was acquired by Oscilloscope and released in theaters in 50 US cities. The film was named one of the five best documentaries of the year by the National Board of Review, and featured in "Best of 2013" lists in the LA Times, Village Voice, Indiewire, Artforum, and more. Flavorwire named it one of the "50 Best Documentaries of All Time." Wilson also works in episodic and short-form filmmaking. She created and directed A Cure for Fear (2018), a short-form series about a groundbreaking scientist that played at SXSW and was nominated for the 2019 International Documentary Association Award for Best Short-Form Series. Wilson has been awarded artist fellowships from the Sundance Institute, MacDowell, Yaddo, and Film Independent, and was named to DOC NYC's inaugural "40 Under 40" list. She is a recipient of the 2019 Chicken & Egg Award. Wilson has given talks at a range of contemporary art and film institutions, and has been a featured guest on NPR, MSNBC, WNYC, Huffington Post Live, Democracy Now, and many other programs. She is a member of the Academy of Motion Picture Arts and Sciences and a graduate of Wesleyan University.
Lana Winters
Lana Winters is known for Midnight Cinema Hour (2022), And Never Play Alone and The Macabre (2022).
Lana Wood
Provocative and ever the temptress in her prime, the dark-maned, gorgeous Lana Wood was born Svetlana Gurdin on March 1, 1946, in Santa Monica, California, a daughter of Nick Gurdin (née Nikolai Zacharenko) and Maria Gurdin (known by countless aliases, usually Mary Zudilova), émigrés of Ukrainian and Russian descent. Both her parents' families fled their Russian homeland following the Communist takeover and the couple met and married in San Francisco. Lana's more famous acting sister was christened Natalia eight years earlier and the eldest girl in the family was an Armenian half-sister named Olga Tatuloff, their mother's child from a 1920s marriage. Young Natalia (renamed Natalie Wood, out of respect to director Sam Wood) became a child star in the late 1940s, with such classics as Miracle on 34th Street (1947), and younger sis Lana would inevitably be drawn into films as a result of Natalie's overwhelming success. She made her "debut" as a baby in Natalie's "B" film Driftwood (1947) only to have her cute bit cut from the picture. Her first screen credit actually came with the John Ford classic The Searchers (1956) as a younger version of Natalie's character, and she was off and running. In an effort to break away from her sister's looming shadow and find her own place in Hollywood, Lana set out to secure TV roles and did quite well on such popular programs as Playhouse 90 (1956), Have Gun - Will Travel (1957), Dr. Kildare (1961) and The Fugitive (1963), while continuing her minor appearances in such films as Marjorie Morningstar (1958) (again with Natalie), Five Finger Exercise (1962) and the The Girls on the Beach (1965). In 1965 she earned a contract at Twentieth Century-Fox and was cast in her first television series, The Long, Hot Summer (1965), playing the Southern belle role Lee Remick had played in the 1958 film (The Long, Hot Summer (1958)). Better yet was her 1966 breakthrough role as hash-slinging waitress "Sandy Webber" on the original prime-time soap opera smash Peyton Place (1964), which she played for two seasons. Unlike the glamorous and refined Natalie, Lana developed an earthier "bad girl" persona. Her character femmes bore typical hard-luck stories--tarnished girls from the wrong side of the tracks who were often more trouble than they were worth. Off-screen, she married Peyton Place (1964) co-star Steve Oliver, who played her abusive husband and jailbird "Lee Webber." The marriage lasted approximately one month. After Peyton Place (1964), Lana continued to exude sex appeal in such films as For Singles Only (1968) and Scream Free! (1969), a drug tale that reunited Natalie's West Side Story (1961) co-stars Richard Beymer and Russ Tamblyn. She kept her name alive on TV as well, making the guest rounds on The Wild Wild West (1965), Bonanza (1959), The Felony Squad (1966) and Laugh-In (1967). In April 1971, Lana posed for Playboy in an attempt to gain added exposure. It worked. A major career boost presented itself in the form of producer Albert R. Broccoli (nicknamed "Cubby"), who caught the spread and offered her the role of Bondian femme fatale "Plenty O'Toole" in Diamonds Are Forever (1971) opposite Sean Connery. Following all this sexy publicity, Lana somehow nabbed an unexpected role in the Disney romp Justin Morgan Had a Horse (1972). Although she stayed fairly active throughout the next decade or so with such TV movies as Black Water Gold (1970), QB VII (1974) and Nightmare in Badham County (1976), and the films Grayeagle (1977) and Demon Rage (1982), her star began to diminish. Marriages during the 1970s included a union with actor/co-star Richard Smedley, whom she met on the set of A Place Called Today (1972). They produced her only child, daughter Evan, in 1974. She later married producer Allan Balter after meeting him during the filming of Captain America (1979). Six marriages would come and go before 1980. In the mid-'80s she appeared for a time on the daytime soap opera Capitol (1982) but made a decision to move away from the acting arena after this period. Following the tragic drowning death of sister Natalie in 1981, Lana penned the controversial tell-all book "Natalie, A Memoir by Her Sister". What was meant as a candid, caring and cathartic expose on Lana's part was denounced by both critics and family alike as self-serving and hurtful. Later years included behind-the-camera work as a producer, which included co-producing the ABC-TV special The Mystery of Natalie Wood (2004). She also had her own casting company at one point. After an extended absence, Lana was seen again on the screen into the millennium. Independent features include Renovation (2010), Donors (2014), Bestseller (2015), Killing Poe (2016), Subconscious Reality (2016), Wild Faith (2018) and Bill Tilghman and the Outlaws (2019). A devoted animal lover, the still-stunning grandmother-of-three occasionally appears at celebrity conventions and continues to work in films.
Lana Yoo
Lana has a degree in Computer Science and Applied Math and Statistics. She grew up in Elmhurst (Queens) New York. Despite her parents wishes for her to become a lawyer/doctor, she always dreamed of being an actor. Her first job, at Merrill Lynch as a Software Developer, afforded her the opportunity to enroll at AADA's evening conservatory. Her love for acting and learning has never stopped blossoming since - Has a twin sister. Her favorite genre is Science fiction. Knows how to clean and fillet a fish.