Misato Nishihira
Misato Nishihira is an actress, known for Re:Born (2016).
Misato Shimizu
Misato Shimizu is an actress, known for Majo no takkyûbin (2014).
Misato Tachibana
Misato Tachibana was born on January 9, 1981 in Gunma, Japan. She is an actress, known for Fei Ying (2004), Kamen raidâ Kiba (2008) and Masûru hîto (2002).
Misato Tanaka
Misato Tanaka was born on February 9, 1977 in Kanazawa, Ishikawa, Japan. She is an actress, known for Gojira X Mekagojira (2002), Gojira tai Megagirasu: Jî shômetsu sakusen (2000) and Kyôto rikon ryokô satsujin jiken (2003).
Misato Ugaki
Misato Ugaki is known for Ashita, watshi wa dareka no kanojo (2022), Jiyûna megami - bakkusutêji in nyûyôku - (2023) and Kanojo wa Kirei datta (2021).
Misayo Haruki
Misayo Haruki was born on 28 June 1974 in Osaka, Japan. She is an actress, known for Cure (1997), Bishôjo Senshi Sailor Moon (2003) and Paruteon (1999).
Mischa Auer
Mischa Auer, the American screen's supreme exponent of the "Mad Russian" stereotype so dear to Yankee hearts before and after World War II, was born Mischa Ounskowsky on November 17, 1905, in St. Petersburg, Russia, the grandson of violinist Leopold Auer, whose surname he took when he became a professional actor in the U.S. during the 1920s. Mischa's father, an officer in the Imperial Russian Navy, died in the Russo-Japanese War while was he was still a baby, which wiped the family out financially. After the November 1917 Bolshevik Revolution, the Ounskowsky family disintegrated and Mischa became a "street Arab", living with homeless youths and barely scraping by in appalling poverty. He eventually was reunited with his mother, who had nursing experience and became a caregiver in the nascent Soviet Union. But Vladimir Lenin's socialist dream wasn't for her, and she fled to Turkey with Mischa. In Constantinople Mischa's mother contracted typhus from the patients she was tending and died. The young boy had to dig a grave with his own hands to bury her. He then began wandering, and was in Italy when Leopold Auer, his mother's father, discovered his whereabouts. Subsequently, young Ounskowsky emigrated to the United States to join Auer, who lived in New York. Leopold encouraged his grandson to become a musician, and Mischa matriculated at New York City's Ethical Culture School to please his grandfather. He became an accomplished musician, able to play multiple instruments, including the violin and piano. However, young Mischa soon became smitten with acting and, through his grandfather's contacts, was able to turn professional in the 1920s. Mischa Auer made his Broadway debut on February 24, 1925, in a walk-on role as an elderly guest in the Actors Theatre production of Henrik Ibsen's "The Wild Duck", which starred Helen Chandler as Hedvig. He also appeared in the Actors Theatre's Broadway production of the play "Morals" in 1925 before continuing his his apprenticeship in small roles, including an appearance with the great Walter Hampden in "Cyrano de Bergerac". While acting, Mischa also performed as a musician. As an actor, he eventually caught on with Eva Le Gallienne's touring theatrical company before joining Bertha Kalich's company, which toured the provinces after Kalich -- a stalwart of the Yiddish theater -- made her last appearance as the eponymous "Magda" on Broadway in January and February 1926. Kalich cast Auer as Max in the touring production of "Magda". Director Frank Tuttle hired Auer for a role in the comedy Something Always Happens (1928) after he saw the Russian perform with the Bertha Kalich Company in Los Angeles. This led to a decade of screen work in many films, in which the tall, unusual-looking actor was typecast as a foreigner, often of a villainous bent as befitted the prejudices of the time, which were actively catered to by the movies. The films he appeared in, usually in small, uncredited parts, included Rasputin and the Empress (1932) with John Barrymore, Lionel Barrymore and Ethel Barrymore; Viva Villa! (1934) with superstar Wallace Beery; and The Lives of a Bengal Lancer (1935), one of Gary Cooper's best early films. One year after signing a long-term contract with Universal, Auer broke through into the realm of featured character actors with his Academy Award-nominated turn as the fake nobleman/freeloader/gigolo Carlo in the classic screwball comedy My Man Godfrey (1936) over at Universal in 1936. That was the first year that Oscars were awarded to supporting players, and although he lost to eventual three-time Best Supporting Actor Academy Award winner Walter Brennan, it made him as a popular character actor. Auer -- the Mad Russian -- became a fixture in comedies of the late 1930s and early 1940s. Of the role of Carlo, he said: "That one role made a comedian out of me. I haven't been anything else since. It's paid off very well. Do you wonder that I am flattered when people say I am mad?" He turned in a memorable appearance as the Russian ballet-master Boris Kolenkhov in Frank Capra's Oscar-winning classic You Can't Take It with You (1938) opposite Jean Arthur and Ann Miller. Other memorable parts in the "Golden Years of Hollywood" phase of his career came in the musical One Hundred Men and a Girl (1937) in support of Deanna Durbin and as Boris Callahan, who touches off a cantina catfight between Marlene Dietrich and Una Merkel, in the classic Destry Rides Again (1939). After appearing in the musical comedy "The Lady Comes Across" in early 1942, a flop which lasted three performances, he toured with vaudeville before acting in the summer radio series "Mischa the Magnificent". In the radio show, he played a man writing his memoirs, but after the summer run he returned to the movies. The last play he appeared in on Broadway, "Lovely Me", opened on Christmas Day 1946 and closed 37 performances later, on January 25, 1947. Between movies, he appeared in touring shows and in vaudeville. During the 1950s, after the Paramount decision, when Hollywood first experienced runaway production as American producers turned to the cheaper European film studios to save money, Auer decamped for Europe. He and his family settled in Salzburg, Austria, where he made broadcasts for Radio Free Europe between appearances in European-made films, mostly in France. He achieved acclaim in Paris for his appearance in the title role of the 1953 revival of the comedy "Tovarich". On the Continent he was typecast as an elderly eccentric, most notably in Orson Welles's Mr. Arkadin (1955). He also appeared frequently on American television during the 1950s. He was praised for his appearance in a 1953 Omnibus (1952) presentation of George Bernard Shaw's play "Arms and the Man". He suffered a heart attack in 1957 but continued to make movies in Europe and appear on television in the U.S. In 1964 he appeared as Baron Popoff in the New York Lincoln Center Music Theater's revival of "The Merry Widow". It was not a success, but the New York Times review praised him: "Mischa Auer is, after all, one of the great comics. With his head down a little, jowls flapping, his ripe Marsovian accent rolling through the house, his eyes popping--he dominates the performance." Suffering from cardiovascular disease, Auer suffered a second heart attack and died in Rome on March 5, 1967, at the age of 61. He will long be remembered as one of the inimitable character actors who graced the classic films of the Golden Age of Hollywood.
Mischa Barton
Born in London and raised in New York. From humble beginnings in New York Theater in 1994 where she trained with such esteemed director/writers as James Lapine ("Twelve Dreams" at Lincoln Center with Donna Murphy), Tony Kushner ("Slavs!" at New York Theater Workshop with Marisa Tomei), and Naomi Wallace ("One Flea Spare" at the Public Theatre with Dianne Wiest), she went on to work side by side with modern-day screen icons including Julia Roberts and Hugh Grant on Notting Hill (1999), Bruce Willis and Toni Collette on The Sixth Sense (1999) and Sam Rockwell in her Sundance critically-lauded feature film debut Lawn Dogs (1997) produced by Duncan Kenworthy in 1998. Yet, despite this early success in theater and film, what really catapulted Mischa to the next level and made her a household name is her small screen performance as the irrepressible and irresistible "Marisa" on the popular Fox television show, The O.C. (2003) (2003 to 2007). The show fast became a global cult phenomenon and has earned many awards including a Television Critics Association Award nomination for "Outstanding New Program of the Year". Established as one of the most sought after young actresses of her generation Mischa was named "It Girl" by Entertainment Weekly, she was also Hollywood Life's "Breakthrough Actress of the Year", she won several American Teen Choice Awards for the show, and also Cosmopolitan's "Fun Fearless Female Award" for "Knockout Ingenue" and Glamour's "Women of the Year". She has been ranked as one of People magazine's "50 Most Beautiful People" for 5 consecutive years. She was awarded the VIPer Award in 2008 for "Style Icon 2007" by Mr. Karl Lagerfeld. In 2008, she played opposite Shirley MacLaine & Christopher Plummer in Sir Richard Attenborough's Closing the Ring (2007), with Hayden Christensen in the Dino De Laurentiis film Virgin Territory (2007), and starred opposite Bruce Willis in Assassination of a High School President (2008) for the Yari Production Company. In 2007, she filmed Walled In (2009) for the French production company "Canal Plus", and she starred in and produced the film Homecoming (2009). In 2012 Mischa went back to her Theatrical roots and starred in a production of "Steel Magnolias" at the Gaiety Theatre in Dublin. Mischa has the following Films slated for release this year, 2013. "Bhopal: A Prayer for Rain" opposite Martin Sheen, "A Resurrection" starring the late Michael Clarke Duncan and Devon Sawa "Apartment 1303 3D" with Rebecca De Mornay, "I Will Follow You Into the Dark" opposite Ryan Eggold and "Beauty and the Least: The Misadventures of Ben Banks". She has just completed "Mining for Ruby" Directed by Zoe Quist, "Beyond Justice" with Danny Trejo and Vinnie Jones and will star opposite Billy Zane in "Elephant's Graveyard" and with Christopher Plummer and Timothy Hutton in "Butterfly Love" 2014. Mischa has also made a major impression in the fashion and beauty world. She has already graced the covers of countless international magazines and has become the face of numerous advertising campaigns. She has developed her own Brand, her successful Handbag line having launched in 2008, together with Accessories, Clothing and Beauty products and her Flagship Boutique opened in Fashionable Shoreditch London in 2012. This commercial and theatrical success has given the young woman an opportunity to take an extremely influential role in the global community. She became the spokesperson for "Climate Star", an organization that fights global warming through social and legislative activism. She serves as an "Entertainment Industry Foundation" ambassador teaming up with QVC to spread awareness and raise funds for women's cancer research through the "Fashion Footwear Association" of New York "Shoes on Sale Initiative" and is also involved in the "SAFE" campaign for skin cancer awareness. She is an ambassador for "Save the Children" and the "One Water" campaign which brings water to remote locations in Africa.
Mischa Clark
Mischa Clark is known for Family Matters (2022), Nanahimik ang gabi (2022) and More Than Blue (2021).
Mischa DeWalt
Mischa is a Southwest/West coast resident, who splits her time between New Mexico and L.A. She attended the University of New Mexico for her undergraduate degree and has trained in Acting, Zarzuela, Opera and Musical Theatre. She is an Aries-Taurus cusp. The cusp part is really important.Those closest to her call her Mischkasan. You may call her Misch.